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"Mr. Batista's initial impression lived up to his reputation with a vengeance. From the Cuban School he had the easy virtuosity that hallmarks that training. Eight and nine pirouettes were ordinary occurrences, as well as the entire vocabulary of turns in the air. From The English School he had the stage manners that make a performer sympathetic and approachable while appearing to be a natural aristocrat. And he had the remarkable speed and clarity that one expects from the American School."
- Lindsay Fischer - YOU DANCE Director & Principal Ballet Master for The National Ballet of Canada